For her form challenge this weekend, Kerry has presented to
The Imaginary Garden with Real Toads the octaves of
William Butler Yeats — a poet who, as Kerry says, needs no introduction.
Considered one of the foremost poets of the 20th Century, his influences were traditional Irish ballads and songs. Writing extensively in rhymed verse, Yates used quatrains in his earlier poems but, later, he preferred the octave as a stanza form.
|
foxhunter, from Wikipedia |
Having returned to writing after something of a drought caused by illness, fear and exhaustion, I am not quite up to par, in my own estimation. I should have been excited to see the word
ballad and, indeed, I was pleased, but nothing sprang to mind yesterday.
Earlier today, I couldn't quite come up with 8 lines of 8 syllables, and produced only this bit of nonsense, alternating 6 syllables with the requisite 8, arriving at a Kiplingesque rhythm rather than a proper Keatsian iambic pentameter.
the fox was out with many men
to take them for a ride
he knew they’d follow where he went
and knew where he could hide
outfoxed they were, those many men
who’d come from far and wide
|
Texas "Haunted" house built by Dan Baker and friends |
when brother fox, he ran them out
across the countryside
Later, although I couldn't avoid considerable maudlin sentimentality, and definitely couldn't call up my usual humorous muse, I did manage an entire two stanzas, then decided to post them in order to give up the struggle for today.
the house where lives my broken heart
is haunted by the loss of you
I promised always to be true
and now don’t know how I can start
a life without you in this place
where ev’ry wall and ev’ry door
where ev’ry board in ev’ry floor
seems each imprinted with your face
my heart has longed for you too long
my soul aloud for you has cried
but to the outside world I’ve lied
and did my best to be so strong
to hold my head up, even smile
say “I am fine now, thank you, please,
“don’t worry now, just be at ease”
to fool them all out there a while
Kay Davies, June, 2014